![]() |
Caro and Vonnegut in Sagaponack. (Photo originally appeared in Hamptons Shorts, 1999) |
An online diary of The New York State Writers Institute
The center for the literary arts in the State of New York
![]() |
Caro and Vonnegut in Sagaponack. (Photo originally appeared in Hamptons Shorts, 1999) |
HBO is developing a series based on author Tom Perrotta's upcoming novel "The Leftovers."
Hourlong drama explores the Rapture and how the sudden disappearance of loved ones in a suburban town affects everyone left behind. Perrotta, who is writing the pilot, will exec produce with Ron Yerxa and Albert Berger.
The author has Hollywood connections, having written "Little Children" and then adapting the screenplay for the Kate Winslet-Patrick Wilson starrer. Earlier in his career, Perrotta wrote the novel "Election," which was turned into Alexander Payne's feature starring Reese Witherspoon. Both pics were Oscar nominated. More in Variety.
Tom Perrotta, who makes two appearances in Albany today, dispenses some free advice on the "big think" website:
Question: Should you always write what you know?
Perrotta: I’m always wary of any kind of generalization like that. There’re some people who… I think somebody once said there are two kinds of writers, you know, that there’s somebody who lives home and somebody who stays home, and I’ve always been the kind of writer who stayed home but I don’t necessarily feel like that’s going to work for everybody. I think you have to do a lot of reading and you have to do a lot of writing and if you’re lucky you’ll eventually find a voice or find a subject matter that you’re passionate about. I mean that to me is really the crucial thing, it’s somehow, you know, having your work connect with your obsessions and your passions and, you know, it’s… if you teach writing, sometimes it’s just very mysterious because you’ll see somebody, you can see that they have talent, you can see that they want very much to write but somehow there’s a kind of psychological disjunction between the work and what really matters to them and it’s scary, you know, when your work starts to interact with the unruly parts of your subconscious..... More.
Tom Perrotta visits the Writers Institute today for two events.
November 29 (Tuesday)
Seminar — 4:15 p.m., Assembly Hall, Campus Center, Uptown Campus
Reading — 8:00 p.m., Assembly Hall, Campus Center, Uptown Campus
Tom Perrotta is the author of masterpieces of satirical fiction set in the American suburbs. His new novel is The Leftovers (2011), the story of ordinary suburbanites who are forced to cope when they are left behind after “the Rapture,” the New Testament apocalypse. The Kirkus reviewer called it Perrotta’s “most ambitious book to date...,” and said, “The premise is as simple as it is startling.” His previous novels include The Abstinence Teacher (2007), and two that were adapted as major motion pictures, Little Children (2004) and Election (1998).
Mark Kurlansky, who visited in 2004, may have started a movement with his 1997 nonfiction book, Cod: A Biography of the Fish That Changed the World.
Perhaps we should all be eating cod with cranberry sauce.
Jennifer Kennedy of About.com Marine Life cites and paraphrases Kurlansky on a page devoted to cod and the Pilgrims (here):
"In a move that eventually led to their displacement, local Native Americans took pity on the starving Pilgrims and assisted them, believing they would 'receive blessings' for their generosity. They showed the Pilgrims how to catch cod and use the uneaten parts as fertilizer. They also introduced the Pilgrims to quahogs, 'steamers,' and lobster.
Tom Perrotta, who visits the Tuesday after Thanksgiving, 11/29, spoke to Terry Gross on NPR's "Fresh Air" in August about his new novel, The Leftovers....
"I spent a lot of time thinking about contemporary Christianity, and obviously the rapture kept coming up," he says. "My first impulse was ... to laugh it off — it's sort of a funny idea, people just floating away. But I kept thinking: What if it did happen? ... I thought, I'm such a skeptic that even if it did happen, I would resist the implications of it, and I also thought that three years later, everyone would have forgotten about it. No matter what horrible thing happens in the world, the culture seems to move on." More.