Monday, October 7, 2013

T. C. Boyle Visits Tomorrow

Q: A lot of your stories in this volume present characters, usually men, who are so self-absorbed that they necessarily veer toward disaster. Is your view of human nature more dark than light?

A: I have lived one of the most fortunate of human lives, surrounded by light and love. I have known my closest friend since I was 3 1/2 years old, my children are slim and tall and beautiful and smarter than all the computers in the world combined, and I remain the only writer in history only to have one wife, the legendary Karen Kvashay, my college sweetheart at SUNY Potsdam.

Still, I do suspect that the universe doesn't care much about any of this or any of us and that accident rules the world. Fiction is a place for examining the darker scenarios, the ones we hope to avoid.

Read more of Elizabeth Floyd Mair's interview in Sunday's Times Union:
http://www.timesunion.com/living/article/Tales-to-tell-4866512.php

T. C. Boyle, fiction writer
October 8 (Tuesday)
Seminar — 4:15 p.m., Standish Room, Science Library, Uptown Campus
Reading — 8:00 p.m., Recital Hall, Performing Arts Center, Uptown Campus
T. C. Boyle, “one of the most inventive and verbally exuberant writers of his generation” (New York Times), is the bestselling author of fourteen novels and nine short story collections. His newest book is T. C. Boyle Stories II (October 2013), a 944-page sequel to T. C. Boyle Stories (1998), winner of the PEN/Malamud Award for Short Fiction. Michael Anderson of the New York Times Book Review described the latter as “700 flashy, inventive pages of stylistic and moral acrobatics.” Boyle’s novels include San Miguel (2012), Drop City (2003), The Road to Wellville (1993), and World’s End (1987).

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Friday, October 4, 2013

Bill Bryson Visits Saturday

Bill Bryson, bestselling nonfiction author, to read from his new book October 5, 2013

"One Summer: America, 1927" tells the story of a pivotal time in America's national "coming of age"
 
Bill Bryson, one of the best-loved nonfiction writers in the English-speaking world, will read from his new book, One Summer: America, 1927 (2013), the story of a pivotal year in America's national "coming of age," on Saturday, October 5, 2013 at 7:30 p.m. in the Clark Auditorium, NYS Museum, Cultural Education Center, in downtown Albany. The event is free and open to the public, and is sponsored by the New York State Writers Institute, the New York State Library, and Friends of the New York State Library.

Bill Bryson is one of the best-loved nonfiction writers in the English-speaking world. Laugh-out-loud funny and astonishingly scholarly, Bryson's many books on travel, history, science, culture, and the English language have earned him a large following of readers on both sides of the Atlantic. Born and raised in Iowa, Bryson has spent much of his adult life in England, where he was awarded the Order of the British Empire in 2006 for his contributions to British arts and letters. He is also a Fellow of the Royal Society and served as Chancellor of Durham University, England's third oldest university, from 2005 to 2011.

Bryson's new book, One Summer: America, 1927 (2013), tells the story of a pivotal time in America's national "coming of age," when media spectacles became the country's obsession. The book features a large cast of colorful characters including celebrity "flyboy" Charles Lindbergh, homerun king Babe Ruth, husband-killer Ruth Snyder, flagpole sitter Alvin "Shipwreck" Kelly, gangster Al Capone, jazz singer Al Jolson, do-nothing president Calvin Coolidge, and Mount Rushmore sculptor Gutzon Borglum. In a starred review, Booklist called it, "Glorious," and said, "Bryson offers delicious detail and breathtaking suspense about events whose outcomes are already known." Kirkus called it, "A distinctively drawn time capsule from a definitive epoch."

Bryson's most recent book was the international bestseller, At Home: A Short History of Private Life (2010), an epic chronicle of innovations in domestic architecture, from bathrooms to kitchens. The New York Times Book Review called it "Delightful...," and said, "Bryson's enthusiasm brightens any dull corner... He is fascinated by everything, and his curiosity is infectious." People magazine said, "If this book doesn't supply you with five years' worth of dinner conversation, you're not paying attention." The book will be reissued shortly in a new illustrated edition featuring more than 300 drawings and photographs.

Bryson's bestselling travel books include Bill Bryson's African Diary (2002), about visits to humanitarian projects sponsored by CARE International (which received all proceeds); In a Sunburned Country (2000), about Australia; A Walk in the Woods: Rediscovering America on the Appalachian Trail (1998); Notes from a Small Island (1995), about Great Britain; and The Lost Continent: Travels in Small-Town America (1989). Notes from a Small Island was voted the book that best represented Great Britain in a 2003 poll of BBC radio listeners. The New York Times Book Review said of A Walk in the Woods, "Bryson is...great company right from the start-a lumbering, droll, neatnik intellectual who comes off as equal parts Garrison Keillor, Michael Kinsley, and...Dave Barry.... a satirist of the first rank, who writes (and walks) with Chaucerian brio."

A Short History of Nearly Everything (2004), Bryson's book on the history of science, earned the Royal Society's Aventis Prize, as well as the Descartes Prize, the European Union's highest literary award. His books on English language and literature include Shakespeare: The World as Stage (2007), Bryson's Dictionary of Troublesome Words (2002), Made in America: An Informal History of the English Language in the United States (1994), and The Mother Tongue: English and How It Got That Way (1990).

For additional information, contact the Writers Institute at 518-442-5620 or online at http://www.albany.edu/writers-inst.

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Thursday, October 3, 2013

The Haunting, Friday at Page Hall

 

The Haunting

(UK/US, 1963, 112 min., b/w)
 
7:30 p.m. Page Hall, UAlbany downtown campus, 135 Western Ave., Albany
 
Listed first in a list of the “11 Scariest Horror Movies of All Time” by director Martin Scorsese in the Daily Beast, October 28, 2009
 
 
Ranked #13 of the “25 Best Horror Films of All Time” by the critics of The Guardian (UK), October 22, 2010
 
 
Steven Spielberg regards The Haunting as one of the “seminal films” of his youth and reportedly told director Robert Wise that it was “the scariest film ever made.” – Judy Sloane in Film Review, June 1995
 
 
Between his phenomenally sunny musical successes West Side Story (1961) and The Sound of Music (1965), director Robert Wise found time to make this brooding, low-key shocker, based on the novel The Haunting of Hill House by Shirley Jackson. The material seemed to free up Wise’s baser talents:  The off-kilter, black-and-white photography goes a long way in intensifying the production’s minimal special effects, and the actors uniformly overplay their parts, giving the film a streamlined momentum it might have lacked otherwise. Though the story’s lesbian subtext was toned down for the film, the sleek Claire Bloom injects some much-needed sexual tension into the proceedings; the film is less about the group’s battle against poltergeists than about the inner struggle between the virginal Eleanor Lance (Julie Harris) and her conflicting desires. Jackson’s story would be adapted for the screen again, in 1999’s sub-par The Haunting. – Michael Hastings,  All Movie Guide

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Friday, September 27, 2013

"The Short Story of Lydia Davis's Man Booker Prize"

Published May 23, 2013:  Lydia Davis was awarded the Man Booker International Prize yesterday. It’s hard not to be pleased when someone wins a prestigious literary award for writing stories as short as this one:

Often I think that his idea of what we should do is wrong, and my idea is right. Yet I know that he has often been right before, when I was wrong. And so I let him make his wrong decision, telling myself, though I can’t believe it, that his wrong decision may actually be right. And then later it turns out, as it often has before, that his decision was the right one, after all. Or, rather, his decision was still wrong, but wrong for circumstances different from the circumstances as they actually were, while it was right for circumstances I clearly did not understand.
More on the New York Times blog:  http://6thfloor.blogs.nytimes.com/2013/05/23/the-short-story-of-lydia-daviss-man-booker-prize/?_r=0

Lydia Davis meets with the general public on Tuesday, October 1st at UAlbany.

More about her event here:  http://www.albany.edu/writers-inst/webpages4/archives/davis_lydia13a.html

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Silent Film with Live Piano Tonight!

PEOPLE ON SUNDAY [MENSCHEN AM SONNTAG]
September 27 (Friday)
 Film screening — 7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus
Directed by Robert Siodmak
(Germany, 1930, 74 minutes, b/w, silent with live piano accompaniment by Mike Schiffer)

The flirtations of a summer Sunday at the beach in Weimar Germany provide the principal content of a film that helped launch the careers of some of 20th century Hollywood’s most influential filmmakers, including Robert Siodmak (THE KILLERS), Billy Wilder (SUNSET BOULEVARD), Fred Zinnemann (FROM HERE TO ETERNITY), horror movie screenwriter Curt Siodmak (THE WOLFMAN), and B-movie king Edgar G. Ulmer (DETOUR). Blending documentary footage and fictional storytelling, the film features the camera work of Eugen Schüfftan, better known for Fritz Lang’s spectacular METROPOLIS (1927)

A review in The Believer by Jessica Winter, former senior editor of Oprah's O. magazine:

The German silent film People on Sunday (Menschen am Sonntag, 1930) bills itself as “a film without actors.” But it’s not without stars—future stars, that is, of the behind-the-camera variety. Billy Wilder, who wrote the spare screenplay, would become one of the preeminent writer-directors of midcentury Hollywood: he made Double Indemnity and Sunset Boulevard and, in the space of just over one glorious year, Some Like It Hot and The Apartment. The codirectors were Robert Siodmak—who later helmed the sharp Burt Lancaster noirs The Killers (1946) and Criss Cross (1949)—and Edgar G. Ulmer, whose eclectic, super-low-budget résumé would eventually span melodramas, musicals, horror, and the grimy noir masterpiece Detour (1945). The assistant cinematographer was Fred Zinnemann, future director of High Noon (1952) and From Here to Eternity (1953). You can trace the DNA of a golden age in American cinema back to this quasi-documentary snapshot of a weekend in Berlin circa 1930.

More:  http://www.believermag.com/issues/201103/?read=dvd_winter

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Thursday, September 26, 2013

How to Win a Pulitzer Prize

Gilbert King went from writing about Mr. Potato Head to crafting an award-winning story about racial injustice.

More in The Writer from Susan Kershner Resnick:

Last year, I sent out a request on Facebook asking experienced writers to share advice with my undergraduate writing students. A few snarky responses appeared first: Go to law school; get comfortable with a life of poverty. Then Gilbert King weighed in.

“Work. Read. Work. Think. Work. Write. Work. Connect. Work. Pitch. Same as always,” he wrote.

Continue:  http://www.writermag.com/2013/09/09/win-pulitzer-prize/

Gilbert King visits Albany today:  http://www.albany.edu/writers-inst/webpages4/archives/king_gilbert13.html

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Rejected by 35 Publishers, Gilbert King

“I also want beginning writers to know that you need some good luck to be successful. This book was rejected by 35 publishers, mostly because my first book didn’t sell very well.”

Gilbert King, Niskayuna native and Pulitzer-winning author of Devil in the Grove, talks to Jack Rightmyer of the Gazette about writing, Thurgood Marshall, boyhood dreams of being a baseball player, and more.

Article in the Gazette:  http://www.dailygazette.com/news/2013/sep/21/marshalls-legacy-inspires-book-niskayuna-native/?free

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