Janet Maslin is take by surprise by (and gives a rave review in the New York Times to) Lauren Groff's new novel. Groff visits this coming Tuesday, March 27th.
Lauren Groff’s “Arcadia” is so immersed in the life of a hippie commune that patchouli ought to waft off its pages. It’s a novel of the 1960s and ’70s in which acid is dropped, groats are served, “Froggie Went A Courtin’ ” is sung, a cult leader is worshiped and somebody literally hugs a tree. An outhouse at Arcadia smells like wet muskrat. Children are reared in a Kid Herd. This does not sound like everyone’s cup of rose-hip tea.
So the transporting magic of “Arcadia” comes as a surprise. Ms. Groff has taken a quaint, easily caricatured community and given it true universality, not just the knee-jerk kind that Arcadian platitudes espoused. Even more unexpectedly, she has expanded this period piece so that it stretches from 1965 to 2018, coaxing forth a remarkable amount of suspense from the way her characters change over time. And a book that might have been small, dated and insular winds up feeling timeless and vast. Full article.
Showing posts with label hippies. Show all posts
Showing posts with label hippies. Show all posts
Friday, March 23, 2012
"Stunningly Sensual and Visceral"-- Groff's Arcadia
Labels:
albany,
commune,
fiction,
hippies,
new york times,
novels,
patchouli,
University at Albany,
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Thursday, January 12, 2012
"Fug You" in the New York Times
Last May at the Writers Institute, Ed Sanders presented his then-unpublished memoir, an eyewitness account of the birth of the American Counterculture, Fug You: An Informal History of the Peace Eye Bookstore, the F**k You Press, the Fugs, and Counterculture in the Lower East Side.
Capo Press published Fug You in December 2011.
Here's a review from Ben Ratliff in the New York Times:
"As a poet Mr. Sanders operates on joy, velocity, humor and catharsis, forcibly mushing bodies of knowledge together; he describes his literary persona in the ’60s as an 'anarcho-Egypto-Bacchic.' As a prose writer he’s pretty much the same, with extra mugging and contextualizing...." More.
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