Showing posts with label the millions. Show all posts
Showing posts with label the millions. Show all posts

Tuesday, April 23, 2013

Literature as Self-Defense-- James Lasdun

 
James Lasdun, who speaks at a newly added Writers Institute event at UAlbany, Wed. 4/24, in the
Standish Room, Sci Lib, uptown, is interviewed in  The Millions about his new memoir of being stalked by a writing student.

Lasdun, a fellow at the Writers Institute, currently teaches two free, noncredit writing workshops for members of the community-at-large at the Institute.

From The Millions: http://www.themillions.com/2013/02/literature-as-self-defense-an-interview-with-james-lasdun.html

"James Lasdun’s new book, Give Me Everything You Have: On Being Stalked, is a memoir about an experience that is in fact still ongoing. In 2003, he taught a course in creative writing at a college in New York. His most gifted student was an Iranian-born woman in her early 30s, who was writing a novel based on her family’s experiences living in Iran under the shah. In 2005, the woman – whom he calls “Nasreen” – emailed Lasdun to announce that she had finished a draft of her book; although he was too busy to read it at the time, he was confident enough in her talent to recommend her to his agent. They emailed back and forth, and an online friendship began to develop. Nasreen’s correspondence began to intensify, however – to become stranger and more aggressively seductive – and so Lasdun, a happily married man, ceased to respond. The book is an exploration of the effects of this relationship turning sour, as Nasreen continued to hound him online, her emails becoming increasingly hate-filled and anti-Semitic. A major aspect of her psychological guerrilla warfare involved direct attacks on his reputation, accusing him online (in Wikipedia entries, Amazon reviews, in comment sections of his articles) of sexual harassment and plagiarism. Give Me Everything You Have is a harrowing account of what it’s like to have someone expend a great deal of time and energy on the project of damaging your life for no immediately obvious reason. It’s also a beautifully written and digressively essayistic exploration of anti-Semitism, travel, literature, and the mysteriously ramifying effects people have on each other."

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Friday, August 10, 2012

Technology in Fiction

"It isn’t hard to make a case against including technology in fiction. First, technology can be awkward to write about. Also, to read about. The jargon is clumsy: download, reboot, global positioning device. It’s embarrassing, really. So I understand an author’s impulse to avoid littering pages of otherwise lyrical prose with the bleep-boop-beep of tech speak. For this reason, authors often forgo current technologies when they want their characters to communicate with one another, or to reveal important, plot-forwarding information. I get it. What could be less romantic than a text message?"

More in The Millions.

Allison K. Gibson's article in The Millions on the problems of writing about technology in fiction mentions the work of two notable visitors to the Writers Institute:  Jonathan Lethem (until recently, an editor at Writers Institute partner Fence magazine) and Jennifer Egan.

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Monday, February 27, 2012

About the Brontes

Margot Livesey, who visits 3/20, writes about the Bronte siblings in The Millions this week....

"Judging by the dresses on display at the Bronte Museum, Charlotte Bronte was less than five feet tall but, like her famous heroine Jane Eyre, she was the opposite of meek. When she was ten years old her brother, Branwell, appeared at her bedroom door with a box of toy soldiers he’d just been given by their father. Charlotte immediately seized a soldier and named him the Duke of Wellington. Her sisters, Emily and Anne, followed suit, naming their soldiers Gravey and the Waiting Boy. Together the four siblings appointed themselves the Genii and dispatched the soldiers to the Glass Town confederacy in Africa. Later Emily and Anne developed the country of Gondal while Charlotte and Branwell created Angria. All four wrote about these imaginary kingdoms. Their passionate juvenilia, much of it according to the Bronte Museum Guide repetitive and poorly spelled, paved the way for the novels we cherish." More.

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