Silent Film, "Bed and Sofa," Friday April 20, 7:30, Page Hall

"Liuda, a bored housewife who could not be more unlike the prototypical Bolshevik “New Woman,” lives in a one-room basement apartment on Third Meshchanskaia Street (the literal translation of the film’s original title), a petty-bourgeois neighborhood in Moscow. She spends her days idly, mainly reading magazines, notably the popular movie fan magazine Soviet Screen (Sovetskii ekran). Her husband, Kolia, is a charming and good-natured but dictatorial and egocentric stonemason."

"The couple is soon joined by Kolia’s old war buddy, Volodia, a printer who cannot find an apartment in Moscow due to the severe housing shortage that was still a major social problem ten years after the revolution. Liuda is quite understandably annoyed by the addition of yet another person to their cramped apartment; of course she has not been consulted. Yet Volodia, ingratiating and helpful, quickly wins her over by proving the perfect lodger. The sexual tension between Liuda and Volodia is palpable from the beginning, so when Kolia is called to a job out of town, it is scarcely surprising that Volodia takes advantage of the opportunity to woo Liuda openly."

Read more of the article on filmreference.com by Denise J. Youngblood, Professor of Russian and Soviet History at the University of Vermont.