Showing posts with label Lydia Davis. Show all posts
Showing posts with label Lydia Davis. Show all posts

Thursday, March 26, 2015

The Paris Review: James Lasdun, Lydia Davis

Two NYS Writers Institute Writing Fellows are featured prominently in the Spring 2015 issue of The Paris Review.

James Lasdun has a 70-page novella, Feathered Glory:
http://www.theparisreview.org/fiction/6362/feathered-glory-james-lasdun

Lydia Davis is interviewed:
http://www.theparisreview.org/interviews/6366/art-of-fiction-no-227-lydia-davis

Other featured authors who have appeared as part of the Institute's Visiting Writers Series include Major Jackson, Charles Simic and Stephen Dunn.

And, incidentally, the Capital Region's own Bernie Conners, former publisher of The Paris Review, has a new memoir, Cruising with Kate: A Parvenu in Xanadu (2015). Read Paul Grondahl's interview in the Times Union:  http://www.timesunion.com/tuplus-local/article/Paul-Grondahl-Bernard-Conners-memoir-recalls-a-6156657.php

Read More......

Friday, April 11, 2014

Lydia Davis Interviewed on NPR

 

Lydia Davis, Writers Institute Writing Fellow who will be the featured guest at RPI's 73rd Annual McKinney Writing Contest and Reading (Wed., April 16, free and open to the public) was interviewed last week by NPR's Rachel Martin.

More about Lydia's appearance at Rensselaer:  http://www.albany.edu/writers-inst/webpages4/archives/davis_lydia14.html

From Rachel Martin's interview:

On the moment when she realized that she didn't need to write long to write well
I can date that pretty precisely to the fall of 1973. So I was 26 years old and I had just been reading the short stories or the prose poems of Russell Edson. And for some reason, I was sparked by those. I thought, "These are fun to read, and provocative and interesting, and I'd like to try this." So I set myself the challenge of writing two very short stories every day just to see what would happen.

On how she knows when to end a story
I think I have a sense right in the beginning of how big an idea it is and how much room it needs, and, almost more importantly, how long it would sustain anybody's interest. And that's sometimes been a problem with a story when it's sort of offered me two ways that it could go, and I have to choose one or the other.

More on the NPR website:  http://www.npr.org/2014/04/06/299053017/lydia-davis-new-collection-has-stories-shorter-than-this-headline

Read More......

Thursday, March 13, 2014

Lydia Davis profiled in this week's New Yorker

 
Lydia Davis, NYS Writers Institute Writing Fellow, is profiled in the March 17th issue of the New Yorker.

"Somewhere in the files of General Mills is a letter from the very-short-story writer Lydia Davis. In it, Davis, who is widely considered one of the most original minds in American fiction today, expresses dismay at the packaging of the frozen peas sold by the company’s subsidiary Cascadian Farm. The letter, like many things that Davis writes, had started out sincere and then turned weird. Details grew overly specific; a narrative, however spare, emerged. “The peas are a dull yellow green, more the color of pea soup than fresh peas and nothing like the actual color of your peas, which are a nice bright dark green,” she wrote. “We have compared your depiction of peas to that of the other frozen peas packages and yours is by far the least appealing. . . . We enjoy your peas and do not want your business to suffer. Please reconsider your art.” Rather than address her complaint, the company sent her a coupon for Green Giant."

More in the New Yorker:   http://www.newyorker.com/reporting/2014/03/17/140317fa_fact_goodyear

Davis (who poses frequently with cats) speaks on Wednesday, April 16 at Rensselaer (RPI):

Lydia Davis, short story author and translator
April 16 (Wednesday)
Reading and McKinney Writing Contest Award Ceremony — 8:00 p.m., Biotech Auditorium, Center for Biotechnology and Interdisciplinary Studies, Rensselaer (RPI), Troy

Lydia Davis, winner of the 2013 Man Booker International Prize, will read from her newest story collection, Can’t and Won’t (2014). Masterpieces in miniature, the stories feature complaint letters, reflections on dreams, and small dilemmas. Davis has been called “one of the quiet giants of American fiction” (Los Angeles Times Book Review), and “one of the best writers in America” (Oprah’s O Magazine). Her previous collections include The Collected Stories (2009), Varieties of Disturbance (2007), Samuel Johnson is Indignant (2001), Almost No Memory (1997) and Break it Down (1986).

Sponsored in conjunction with RPI’s Vollmer W. Fries Lecture and the 73rd McKinney Writing Contest and Reading
For directions see: http://www.rpi.edu/tour/index.html

Read More......

Friday, September 27, 2013

"The Short Story of Lydia Davis's Man Booker Prize"

Published May 23, 2013:  Lydia Davis was awarded the Man Booker International Prize yesterday. It’s hard not to be pleased when someone wins a prestigious literary award for writing stories as short as this one:

Often I think that his idea of what we should do is wrong, and my idea is right. Yet I know that he has often been right before, when I was wrong. And so I let him make his wrong decision, telling myself, though I can’t believe it, that his wrong decision may actually be right. And then later it turns out, as it often has before, that his decision was the right one, after all. Or, rather, his decision was still wrong, but wrong for circumstances different from the circumstances as they actually were, while it was right for circumstances I clearly did not understand.
More on the New York Times blog:  http://6thfloor.blogs.nytimes.com/2013/05/23/the-short-story-of-lydia-daviss-man-booker-prize/?_r=0

Lydia Davis meets with the general public on Tuesday, October 1st at UAlbany.

More about her event here:  http://www.albany.edu/writers-inst/webpages4/archives/davis_lydia13a.html

Read More......

Friday, August 2, 2013

Lydia Davis to Teach Fall Workshop at UAlbany


Lydia Davis, New York State Writers Institute Fellow and recent winner of the 2013 Man Booker International Prize, will conduct a fiction master class workshop for community writers during the fall 2013 semester. The focus will be on detailed discussion of students' work, but there may also be assigned exercises and/or readings from published novels or short stories to broaden the discussion of topics such as character, plot, style, and form. The workshop is intended for advanced writers - writers who have significant publications in literary journals. It will be an intensive five-session workshop held in the month of October.

The workshop is not-for-credit and will be held at the University at Albany's uptown campus. Admission to the workshop is based on the submission of writing samples. Complete information on the workshop and submission guidelines may be obtained by calling the Institute at 518-442-5620 or by visiting the Institute's website at:


Lydia Davis, fiction writer, translator, and UAlbany professor, has received wide acclaim for her extremely brief and brilliantly inventive short stories. She has been called "one of the quiet giants . . . of American fiction" (Los Angeles Times Book Review), "an American virtuoso of the short story form" (Salon), and "one of the best writers in America" (O Magazine). In the spring of 2013 Davis received the Man Booker International Prize, one of the most prestigious prizes in the world of literature. The award is given every two years to authors of any nationality in order to recognize an outstanding body of work in English or available in English translation.

Her newest book, which earned rave reviews, is The Collected Stories (2009), a compilation of stories from four previously published volumes including Varieties of Disturbance (2007), Samuel Johnson is Indignant (2001), Almost No Memory (1997) and Break it Down (1986). Davis received a MacArthur Foundation Fellowship in 2003. A Chevalier of the Order of Arts and Letters in France, Davis is also one of the most respected translators into English of French literary fiction by Proust and Flaubert, among others.

Davis first received serious critical attention for her collection of stories, "Break It Down," which was selected as a finalist for the PEN/Hemingway Award. The book's positive critical reception helped Davis win a Whiting Writer's Award in 1988

For additional information contact the Writers Institute at 518-442-5620, or online at http://www.albany.edu/writers-inst.

Read More......

Thursday, May 23, 2013

Lydia Davis Will Teach Here Again in the Fall of 2013!

Lydia Davis, winner of the 2013 Man Booker International Prize, will teach a free Community
Writers Workshop at the NYS Writers Institute in the fall of 2013! The workshop is open to the general public on a competitive basis.

Previous winners of the prize have included Philip Roth, Alice Munro, Chinua Achebe and Ismail Kadare.

Here's some video of Lydia from a 2010 talk at the Institute: http://www.youtube.com/watch?v=I7rPWVS8MT0

More on Lydia and her prize:  http://www.albany.edu/writers-inst/webpages4/archives/davis_lydia13.html

Read More......

Sweet Picture of Lydia Davis in the Los Angeles Times


The LA Times has a nice picture of the NYS Writers Institute's Lydia Davis at the moment she
learned she had won the Man Booker International Prize.

http://www.latimes.com/features/books/jacketcopy/la-et-jc-lydia-davis-wins-man-booker-international-prize-20130522,0,2279746.story

Read More......

President Jones Congratulates Lydia Davis on Her Booker International Prize


“Lydia Davis has repeatedly challenged our notions of storytelling, and in doing so has influenced a generation of writers, both here in Albany and on the international stage,” said UAlbany President Robert J. Jones. “We’re extremely proud of her great honor and international acclaim.”
 
More about Lydia Davis and the 2013 Man Booker International Prize here:  http://www.albany.edu/writers-inst/webpages4/archives/davis_lydia13.html

Read More......

Our Own Lydia Davis Wins the Booker International Prize!


Lydia Davis, leading author of short fiction, New York State Writers Institute Writing Fellow, and a University at Albany English Department faculty member, has been awarded the 2013 Man Booker International Prize, one of the most prestigious prizes in the world of literature. The award is given every two years to an author of any nationality in order to recognize an outstanding body of work in English or available in English translation. Sir Christopher Ricks, chair of the judges’ panel, said that Davis’s “writings fling their lithe arms wide to embrace many a kind. Just how to categorise them? They have been called stories but could equally be miniatures, anecdotes, essays, jokes, parables, fables, texts, aphorisms or even apophthegms, prayers or simply observations…. There is a vigilance to her stories, and great imaginative attention.”

Writing in the Guardian (UK) in 2009, Hephzibah Anderson declared that the Booker International Prize “is fast becoming the more significant award, appearing an ever more competent alternative to the Nobel.” Previous winners have included Philip Roth (2011), Alice Munro (2009), Chinua Achebe (2007) and Ismail Kadare (2005). The prize is £60,000 (approximately $91,000).

Lydia Davis has been called “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review), “an American virtuoso of the short story form” (Salon), and “one of the best writers in America” (O Magazine). She is renowned in literary circles for perfecting the craft of the “extremely short short story,” and has begun to enjoy a much wider readership. Novelist Dave Eggers has said that Davis’s work, “blows the roof off of so many of our assumptions about what constitutes short fiction.”

This coming fall semester at UAlbany, Davis is scheduled to teach a tuition-free writing workshop over the course of several weeks, open to the public on a competitive basis, under the sponsorship of the New York State Writers Institute. Davis has taught community writing workshops for the Institute on five previous occasions (2005-2009). She first visited UAlbany in 2000 as a guest of the Institute’s Visiting Writers Series. During that visit, Institute Director Donald Faulkner, among others, suggested she apply for a teaching position in the English Department. She joined the faculty and became an Institute Writing Fellow in 2002. Faulkner commented, “We are very proud to count Lydia Davis among our Fellows. She is a great talent, an excellent teacher, and a wonderful colleague. She richly deserves this award.”

Her newest book is The Collected Stories (2009), a compilation of stories from four previously published volumes including Varieties of Disturbance (2007), Samuel Johnson is Indignant (2001), Almost No Memory (1997) and Break it Down (1986). Appearing to rave reviews in the mainstream press, the book is being described as a “surprise bestseller” by its publisher, Farrar Straus and Giroux.

In a New Yorker review, James Wood said, “Finally, one can read a large portion of Davis’s work, spanning three decades and more than seven hundred pages, and a grand cumulative achievement comes into view— a body of work probably unique in American writing, in its combination of lucidity, aphoristic brevity, formal originality, sly comedy, metaphysical bleakness, philosophical pressure, and human wisdom. I suspect that [the book] will in time be seen as one of the great, strange American literary contributions, distinct and crookedly personal, like the work of Flannery O’Connor, or Donald Barthelme, or J. F. Powers.”

Davis received a $500,000 MacArthur Foundation award in 2003. In granting the award the Foundation praised Davis’s work for showing “how language itself can entertain, how all that what one word says, and leaves unsaid, can hold a reader’s interest…. Davis grants readers a glimpse of life’s previously invisible details, revealing new sources of philosophical insights and beauty.”

A Chevalier of the Order of Arts and Letters in France, Davis is also one of the most respected translators into English of French literary fiction by Proust, Flaubert, Foucault and Blanchot. In 2003, Davis published a new translation— the first in more than 80 years— of Marcel Proust’s masterpiece, Swann’s Way (2003), one of the most important literary works of the 20th century. The Sunday Telegraph (London) called the new translation “A triumph [that] will bring this inexhaustible artwork to new audiences throughout the English-speaking world.” Writing for the Irish Times, Frank Wynne said, “What soars in this new version is the simplicity of language and fidelity to the cambers of Proust’s prose… Davis’ translation is magnificent, precise.” Her 2010 translation of Flaubert’s Madame Bovary also received high praise in major publications throughout the world.

For additional information, contact the Writers Institute at 518-442-5620.

Read More......

Tuesday, November 22, 2011

Family Dysfunction: Literature for Thanksgiving

The literary magazine Ploughshares serves up a banquet of dysfunctional family literature for your Thanksgiving gathering in its November issue.

Lydia Davis, New York State Writers Institute Writing Fellow, provides one of the appetizers:

"If your taste for dysfunction veers toward the quietly lethal, I urge readers to pick up a copy of anything by Lydia Davis. 'Meat, My Husband,' which appears in her Collected Stories, and originally in Almost No Memory, is the ideal amuse-bouche for a family gathering." More.

Read More......

Thursday, October 14, 2010

Lydia Davis triumphs with Madame Bovary

New York State Writers Institute Writing Fellow Lydia Davis is receiving raves the world over for her new translation of Madame Bovary (2010).

Writing in the New York Times, Kathryn Harrison says, "It is a shame Flaubert will never read Davis’s translation of 'Madame Bovary.' Even he would have to agree his masterwork has been given the English translation it deserves. " More.

For an account of Davis' heroic struggle with Flaubert's work, read Sam Harris in New York: "Knee-deep in 'Bovary.'"

Read More......

Tuesday, February 23, 2010

The Frenchest of All Our Fiction Writers

Novelist Lydia Millet presents the argument that Lydia Davis is the "Frenchest of all our fiction writers" in a review of the Collected Stories that appeared recently in the Toronto Globe and Mail:

"She's a commander of white space, an expert at sly insinuation and the meticulous craftswoman of a self-deprecating introspection that always manages to seem more metaphysical than mundane. By “our” fiction writers, I mean not only those writing in English but the collective mass of all non-French writers; I mean any writers not native to France, to say nothing of all the actual French writers who are, in fact, less demonstrably French than Davis (herself born in Northampton, Mass.). "

See the full review.

Read More......

Lydia Davis: "A Deeply Satisfying Precision of Expression"

Chris Power in his Brief Survey of the Short Story, a running feature of the Guardian.co.uk Books Blog since October 2007, devotes his most recent, 24th entry to Lydia Davis:


"As well as exquisite similes... a deeply satisfying precision of expression is sustained throughout her work, and an arresting facility for capturing the circling, convoluted progressions and digressions of thought.... She elicits emotion; she generates suspense and engenders surprise, pleasure and revelation. She does all the things it is in a good writer's gift to do, but in ways that most writers don't think of."

Davis will speak about her new Collected Stories on March 4, 2010 as part of the Visiting Writers Series.

Read More......

Tuesday, January 12, 2010

Writers Institute Announces Spring 2010 Visiting Writers Series and Classic Film Series

Francine Prose, Walter Mosley, Chang-rae Lee, Lydia Davis, Michael Ondaatje, and Jules Feiffer among Spring 2010 visitors to the New York State Writers Institute....

Albany, NY — The New York State Writers Institute at the University at Albany announces its Spring 2010 schedule of visiting writer appearances and film series screenings. Events take place on the UAlbany uptown and downtown campuses and are free and open to the public (unless otherwise noted).

Visiting Writer Series

February 2 (Tuesday): Allen Ballard, novelist

Reading — 7:00 p.m., [Note early start time] Assembly Hall, Campus Center

Allen Ballard, novelist, historian and UAlbany Professor of History and Africana Studies, earned national attention with the publication of Where I’m Bound (2000), a Washington Post Notable Book, and one of the first novels to address the Civil War from the perspective of Black soldiers. His new novel is Carried by Six (2009), an urban thriller about a group of ordinary African American citizens determined to rid their Philadelphia neighborhood of drugs and violence.

Cosponsored by UAlbany’s Departments of Africana Studies and History, EOP Program, and Affirmative Action Office

February 4 (Thursday): Francine Prose, novelist and nonfiction writer

Seminar — 4:15 p.m., Assembly Hall, Campus Center

Reading — 8:00 p.m., Assembly Hall, Campus Center

Francine Prose, novelist and nonfiction writer, is author of Anne Frank: The Book, The Life, The Afterlife (2009), a work of literary history and criticism that celebrates the under-appreciated artistry of the well-known diarist. Prose’s work includes the novels A Changed Man (2005), winner of the Dayton Literary Peace Prize in fiction and Blue Angel (2001), a finalist for the National Book Award, and the nonfiction New York Times bestseller Reading Like a Writer (2006).

Cosponsored by UAlbany’s Center for Jewish Studies

February 11 (Thursday): Fred LeBrun, journalist

Reading/Talk — 8:00 p.m. Assembly Hall, Campus Center

Fred LeBrun, one of the defining voices of the Albany Times-Union for more than forty years, has served the newspaper as suburban beat reporter, city editor, arts editor, restaurant critic, and foremost commentator on state politics. LeBrun is also known for his “Hudson River Chronicles,” in which he recounts an 18-day adventure downriver from Mount Marcy to New York Harbor in 1998— a portion of which he repeated in 2009 to commemorate the Hudson 400.

Rescheduled from Fall 2009

Cosponsored by the Women’s Press Club of New York State

February 18 (Thursday): Norberto Fuentes, journalist

Seminar — 4:15 p.m., Standish Room, Science Library

Reading — 8:00 p.m. Assembly Hall, Campus Center

Norberto Fuentes, Cuban journalist, Hemingway scholar, early friend and confidante of Fidel Castro, and sometime political prisoner of the Castro regime, is the author of the satirical faux-memoir The Autobiography of Fidel Castro (2004, English translation 2009). Fuentes is also the author of Hemingway in Cuba (1985) and Ernest Hemingway: Rediscovered (1988).

March 4 (Thursday): Lydia Davis, short story writer and novelist

Seminar — 4:15 p.m., Assembly Hall, Campus Center

Reading — 8:00 p.m., Assembly Hall, Campus Center

Lydia Davis, leading artist of the short story form, New York State Writers Institute Fellow, and 2003 MacArthur Foundation fellowship winner, has been called “the best prose stylist in America” (Rick Moody). Her newest book is The Collected Stories (2009), a compilation of stories from four previously published volumes including Varieties of Disturbance, Samuel Johnson is Indignant (2001), Almost No Memory (1997) and Break it Down (1986).

March 11 (Thursday): AUTHORS THEATRE: Women Playwrights of the Early 20th Century

Staged Reading — 7:30 p.m. [Note early start time], Assembly Hall, Campus Center

The Writers Institute will present staged readings of short, rediscovered, early 20th century plays highlighted in the new volume Women Writers of the Provincetown Players (2009) by UAlbany English Professor Judith E. Barlow. Enormously influential in American drama, the Provincetown Players (1915-22) featured a number of notable women among its playwrights including Susan Glaspell, Djuna Barnes, Edna St. Vincent Millay, Neith Boyce, Louise Bryant, Rita McCann Wellman, and Alice Rostetter.

March 16 (Tuesday): Jules Feiffer, editorial cartoonist and author

Seminar — 4:15 p.m., Recital Hall, Performing Arts Center

Reading — 8:00 p.m., Terrace Gallery, 4th Floor, Cultural Education Center, Albany

Jules Feiffer, one of the most influential editorial cartoonists of the last half century, received the Pulitzer Prize in 1986 for work that appeared as part of his long-running strip in the Village Voice. A writer as well as an artist, Feiffer has earned distinction in many genres, including fiction, children’s literature, drama, and screenwriting. His new book is a memoir of his Bronx childhood and early career, Backing into Forward (2010).

Cosponsored by Friends of the New York State Library

March 18 (Thursday): American Place Theatre performance of Three Cups of Tea

Performance — 7:30 p.m., Recital Hall, Performing Arts Center

Pre-performance discussion at 7:00 p.m.

$15 general public; $12 seniors and faculty/staff; $10 students

Box Office: (518) 442-3997; tickets@albany.edu

American Place Theatre presents a one-person theatrical adaptation of the uplifting true story of renowned humanitarian Greg Mortenson who, following a failed attempt to scale Pakistan’s K2 (the world’s second highest mountain), went on to found girls’ schools throughout mountainous regions in Pakistan and Afghanistan. The program includes pre- and post-show discussions with a teaching artist from American Place Theatre.

Presented by the Performing Arts Center in conjunction with the New York State Writers Institute. Support provided by University Auxiliary Services and Holiday Inn Express.

March 23 (Tuesday): Rebecca Goldstein, philosopher, fiction and nonfiction writer

Seminar — 4:15 p.m., Science Library 340

Reading — 8:00 p.m., Science Library 340

Rebecca Goldstein, writer, MacArthur Foundation Fellow, and professor of philosophy, is the author of the new novel, 36 Arguments for the Existence of God (2010), the humorous tale of a celebrity psychologist and his struggles with fame, truth, illusion, atheism, and belief. Goldstein is also the author of the novels Properties of Light (2000), Mazel (1995), which won the National Jewish Book Award, and The Mind-Body Problem (1983).

Cosponsored by UAlbany’s Center for Jewish Studies

April 8 (Thursday): Chang-rae Lee, fiction writer

Seminar — 4:15 p.m., Campus Center 375

Reading — 8:00 p.m., Recital Hall, Performing Arts Center

Chang-rae Lee, Korean American novelist whose work explores the modern Asian immigrant experience, received the Hemingway Foundation/PEN Award for his first novel, Native Speaker (1995), and was named one of the 20 best American novelists under 40 by the New Yorker in 1999. His new novel is The Surrendered (2010), the epic story of a Korean orphan, an American GI, and a troubled missionary wife who meet during the immediate aftermath of the Korean War. His other books include A Gesture Life (1999), a national bestseller and New York Times Notable Book of the Year, and Aloft (2004).

April 12 (Monday): Authors Theatre: Stephen Adly Guirgis, playwright

Seminar — 4:15 p.m., Campus Center 375

Reading — 8:00 p.m., Recital Hall, Performing Arts Center

Stephen Adly Guirgis, 1990 UAlbany graduate, is one of the leading playwrights of his generation. His works include “The Last Days of Judas Iscariot” (2005), named one of the “10 Best Plays of the Year” by Time and Entertainment Weekly, and “Jesus Hopped the ‘A’ Train” (2000) winner of the Edinburgh Festival Fringe First Award.

April 14 (Wednesday): Michael Ondaatje, poet and novelist, and Linda Spalding, fiction and nonfiction writer

Seminar — 4:00 p.m., Rensselaer (RPI) Campus, Troy (exact location TBA)

Reading and McKinney Award Ceremony — 8:00 p.m., Darrin Communication Center 308, Rensselaer (RPI), Troy

Michael Ondaatje, who has received critical acclaim for both his fiction and poetry, is best-known for his Booker Prize-winning novel, The English Patient (1992), later adapted as an Oscar-winning film.

Sri Lankan by birth, Ondaatje is a four-time winner of the Governor General’s Award in Literature in his adopted home country of Canada. He is married to Linda Spalding, with whom he coedits the literary journal, Brick.

Linda Spalding, Kansas-born Canadian fiction and nonfiction writer, often explores world cultures and the clash between contemporary life and traditional beliefs. Her most recent book is Who Named the Knife (2007), the true story of the murder trial of Maryann Acker, a teenager sentenced to life in prison for a murder committed while on honeymoon in Hawaii. Spalding’s earlier books include the novels The Paper Wife (1996), and Daughters of Captain Cook (1989), and the nonfiction book A Dark Place in the Jungle (1998), about renowned orangutan expert Birute Galdikas.

Cosponsored in conjunction with Rensselaer’s 69th McKinney Writing Contest and Reading

April 22 (Thursday): Walter Mosley, novelist

Seminar — 4:15 p.m., Campus Center 375

Reading — 8:00 p.m. Page Hall, 135 Western Avenue, Downtown campus

Walter Mosley, award-winning author of 30 books, is one of America’s leading writers of hardboiled detective fiction. Mosley is best-known for a series of eleven mystery novels set in L. A. featuring the African American private investigator Easy Rawlins. Devil in a Blue Dress (1990) received the Shamus Award from Private Eye Writers of America and was adapted as a film starring Denzel Washington in 1995. His latest novel, Known To Evil (2010), is the second in a new series featuring Leonid McGill, a Black criminal-turned-detective who plys his trade in New York City.

Classic Film Series

February 19 (Friday): LOLA

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Jacques Demy

Starring Anouk Aimée, Marc Michel, Jacques Harden

(France, 1961, 90 minutes, b/w, in French with English subtitles)

With spectacular camera work, Jacques Demy pays tribute to the “Lolas” of Max Ophuls’ 1955 Lola Montes and Josef von Sternberg’s 1930 The Blue Angel in this New Wave reinterpretation of the classic tale of a beautiful cabaret singer and the men in her thrall.

February 26 (Friday): CAMP DE THIAROYE [THE CAMP AT THIAROYE]

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Ousmane Sembene.

Starring Sidiki Bakaba, Hamed Camara, Philippe Chamelat

(Senegal, 1987, 157 minutes, color, in Wolof and French with English subtitles)

A group of African soldiers who fought valiantly for France during World War II are detained in a prison camp at war’s end because their French colonial masters have grown uneasy with the equality the men have achieved on the battlefield. Sembene’s semi-autobiographical film received the Grand Jury Prize at the Venice Film Festival.

March 5 (Friday): FISTS IN THE POCKET [I PUGNI IN TASCA]

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Marco Bellocchio

Starring Lou Castel, Paola Pitagora, Marino Masé

(Italy, 1965, 105 minutes, b/w, in Italian with English subtitles)

A shocking and influential black comedy of the Italian New Wave, Fists in the Pocket features the exploits of a disturbed young man who kills off members of his peculiar family to “save” them from various medical afflictions. In the words of one Italian critic, “When it came out, it ripped the collective film imagination to shreds.”

March 12 (Friday): LA NOUBA DES FEMMES DU MONT-CHENOUA [THE SONG OF THE WOMEN OF MOUNT CHENOUA]

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Assia Djebar

Starring Sawsan Noweif, Mohamed Haymour, Zohra Sahraoui

(Algeria, 1977, 115 minutes, color, in Arabic with English subtitles)

In her inventive, experimental debut as film director, major Maghrebi fiction writer Assia Djebar borrows the structure of the nouba, a five-part traditional song, to tell the story of a woman who returns to the town of her childhood fifteen years after the violent War of Independence.

March 19 (Friday): AFTER LIFE [WANDÂFURU RAIFU]

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Hirokazu Kore-Eda

Starring Arata, Erika Oda, Susumu Terajima

(Japan, 1998, 118 minutes, color, in Japanese with English subtitles)

A deliberately spare, thoughtful work, After Life presents a kind of antechamber to heaven in which the recently deceased are asked to choose a single cherished memory to preserve for all eternity. Stephen Holden of the New York Times called it a “brilliant, humorous, transcendently compassionate film.”

April 9 (Friday): LE JOUR SE LÈVE [DAYBREAK]

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Marcel Carné

Starring Jean Gabin, Jules Berry, Arletty

(France, 1939, 88 minutes, b/w, in French with English subtitles)

A factory worker kills his rival in love, then barricades himself inside his apartment to weather an armed siege by the police, all the while recalling the events that led to the crime. A masterpiece of “realist” cinema from major French director Marcel Carné.

April 16 (Friday): THE TALES OF HOFFMANN

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Michael Powell and Emeric Pressburger

Starring Moira Shearer, Ludmilla Tchérina, Anne Ayars

(United Kingdom, 1951, 128 minutes, color)

A young man’s dreams of past romantic adventures come to life on the screen in this exquisite blend of music, ballet and cinematic effects. Directed by the famous team of Powell and Pressburger (The Red Shoes), and based on the 1881 opera by Jacques Offenbach and the stories of E. T. A. Hoffmann.

April 23 (Friday): LITTLE OLD NEW YORK

Film Screening—7:30 p.m., Page Hall, 135 Western Avenue, Downtown Campus

Directed by Sidney Olcott

Starring Marion Davies, Stephen Carr, J. M. Kerrigan

(United States, 1923, 106 minutes, b/w)

SILENT with live piano accompaniment by Mike Schiffer

An Irish immigrant lass comes to New York City disguised as a boy to claim her dead brother’s inheritance in this charming historical drama set against the background of real events, including the 1807 launch of Robert Fulton’s steamboat on the Hudson River.

For additional information contact the Writers Institute at 518-442-5620 or online at http://www.albany.edu/writers-inst.

Read More......