STOCKHOLM (AP) - Alice Munro, a Canadian master of the short story revered as a thorough but forgiving chronicler of the human spirit, won the Nobel Prize in literature on Thursday.
Munro is the first Canadian writer to receive the prestigious $1.2 million award from the Swedish Academy since Saul Bellow, who left for the U.S. as a boy and won in 1976.
Seen as a contemporary Chekhov for her warmth, insight and compassion, she has captured a wide range of lives and personalities without passing judgment on her characters. Unusually for Nobel winners, Munro's work consists almost entirely of short stories. "Lives of Girls and Women" is her only novel.
"I knew I was in the running, yes, but I never thought I would win," the 82-year-old said by telephone when contacted by The Canadian Press in Victoria, British Columbia.
Munro is beloved among her peers, from Lorrie Moore and George Saunders to Margaret Atwood and Jonathan Franzen. She is equally admired by critics. She won a National Book Critics Circle prize for "Hateship, Friendship, Courtship, Loveship, Marriage," and is a three-time winner of the Governor General's prize, Canada's highest literary honor.
More from the Associated Press: http://m.apnews.com/ap/db_268773/contentdetail.htm?contentguid=BFDTleAC
Thursday, October 10, 2013
Alice Munro Wins Nobel Prize
Friday, August 30, 2013
Labor Day Weekend Reading
Publishers Weekly new "Picks of the Week" include books by two past visitors to the Writers Institute who also happen to be giants of world literature, Margaret Atwood [pictured here] and J. M. Coetzee.
MaddAddam by Margaret Atwood (Doubleday) - The final entry in Atwood’s brilliant MaddAddam trilogy roils with spectacular and furious satire. The novel begins just after most of the human species has been eradicated by a man-made plague. The early books explore a world of terrifying corporate tyranny, horrifying brutality, and the relentless rape of women and the planet. In Oryx and Crake, the pandemic leaves wounded protagonist Jimmy to watch over the Crakers, a humanoid species bioengineered to replace humankind by the man responsible for unleashing the plague. In The Year of the Flood, MaddAddamites wield science to terrorize corporate villains while God’s Gardeners use prayer and devotion to the Earth to prepare for the approaching cataclysm. Toby, a God’s Gardener and key character in the second book, narrates the third installment, in which a few survivors, including MaddAddamites, God’s Gardeners, Jimmy, and the Crakers, navigate a postapocalyptic world.
The Childhood of Jesus by J.M. Coetzee (Viking) - In this captivating and provocative new novel, a small boy who has been renamed David, and Simón, the man who has become David’s caretaker since David was separated from his mother, have immigrated to a nameless country. Simón soon finds work on the docks, is given an apartment for new arrivals, and sets about the impossible task of finding David’s mother, whose name they do not know and whose face the boy does not remember. Precise, rich, and wonderful.
Atwood's Albany visit: http://www.albany.edu/writers-inst/webpages4/archives/atwood.html
J. M. Coetzee's recent visit: http://www.albany.edu/writers-inst/webpages4/archives/coetzee_auster12.html
Wednesday, August 8, 2012
Against the Sci-Fi Boys' Club
He highlights a number of female masters of the genre including Margaret Atwood (who visited the Writers Institute in November 2005), Alice Sheldon, Madeline Ashby and Tricia Sullivan.
"There's a logical fallacy in this club's claims that it welcomes women members, which is rather like the rhetoric of the well-schooled military officer. Of course they want women in the army. It's just, well, a soldier must be physically strong, naturally violent and preferably have a todger so you can pee standing up. Any woman who fulfils those criteria is more than welcome to take the king's shilling!" More in The Guardian: http://www.guardian.co.uk/books/2012/aug/07/hard-sf-women-writers Read More......
Monday, March 5, 2012
Margaret Atwood on Science Fiction
Joyce Carol Oates, who appears annually at the New York State Summer Writers Institute, reviews Margaret Atwood's essay collection, In Other Worlds: SF and the Human Imagination (2012) in the latest issue of The New York Review of Books.
Atwood spoke to a stand-room-only Page Hall crowd in November 2005.
In her admiring essay on Le Guin—“The Queen of Quinkdom”—Atwood notes that Le Guin speaks of science fiction as a genre that “should not be merely extrapolative” and should not attempt “prophetic truth”: “Science fiction cannot predict, nor can any fiction, the variables being too many.” Atwood concurs with Le Guin that “the moral complexity proper to the modern novel need not be sacrificed” in what is called “science fiction.” “Thought and intuition can move freely within bounds set only by the terms of the experiment, which may be very large indeed.” More.