Amy Fine Collins of O. magazine reviews the new story collection by Francesca Marciano who visits Albany tomorrow:
“Seductive, cosmopolitan . . . In The Other Language, romance is the cure for ennui. Marciano’s heroines take the kind of risks most of us have been conditioned to avoid: they reconnect with lost lovers, migrate to faraway lands, and forge liaisons beyond the bounds of their race, culture, and class. Marciano is an apt guide to these exotic lives, [and] she engages us intimately with them . . . Frustrated communication is a recurrent theme, as is the quest for the elusive person or place that allows one to feel at home. In Marciano’s nuanced emotional universe, a foreigner is likely to consider herself an outsider, no matter how long she’s lived elsewhere—especially if she still dreams in her mother tongue.”
More about Marciano's visit: http://www.albany.edu/writers-inst/webpages4/programpages/vws.html#marciano
Thursday, April 10, 2014
The Other Language in Oprah's O. magazine
Tuesday, December 3, 2013
Ayana Mathis Tonight
Here's an interview in the Times Union:
Q: Your first book was chosen for Oprah's Book Club. What has that done in terms of sales and also any pressure you may feel about your next book?
A: Certainly, the book has reached more folks than it would have otherwise. We make distinctions, which are both useful and harmful, about fiction, and sometimes readers are intimidated by classifications like literary fiction. I think we also have a tendency to label books — as an African-American story or Latino story or gay story, etc. — which results in readers thinking that perhaps a book won't resonate with them, because of whatever differences they perceive between their lives and the characters' lives. This isn't true, of course. Literature reaches across all of those kinds of false barriers.
The Oprah book club's greatest strength is that it makes a great variety of books accessible to people who may not otherwise have found them or been attracted to them. It's as though she's walking the books she chooses into living rooms and book clubs across the country, and people are a bit more willing to take a chance on them. Of course, that translates into sales, but I think the real boon has more to do with readers finding their way to books that are meaningful to them.
More: http://www.timesunion.com/living/article/Tribal-initiation-5022008.php
More about Mathis's visit today to UAlbany: http://www.albany.edu/writers-inst/webpages4/programpages/vws.html#ayana
Thursday, September 20, 2012
Sharing Little House on the Praire with a daughter
Marie Howe will be inaugurated as State Poet tonight in Page Hall.
The Hard-Times Companion
It seemed a good time to read the series I'd known as the Little House on the Prairie books, written by Laura Ingalls Wilder. I'd never read them as a child, had only glimpsed the TV series, and autumn was upon us. We sat on the couch under the lamplight, the book in my lap, my daughter leaning against me, warm and fresh from a shower. Through our two front windows: the worn red bricks of the 19th-century buildings across the street, and beyond them, the gleaming Empire State Building shining over the darkened city.
Tuesday, April 3, 2012
Love Destroys Everything in Its Path-- Anne Enright
Writing in Oprah's O. magazine, Lizzie Skurnick reviews The Forgotten Waltz by Anne Enright, who comes to RPI on April 18th:
"In America we like our adultery straight up: a bubble of illicit passion that ends in regret. That's not what Irish novelist Anne Enright is serving in The Forgotten Waltz (Norton), which forgoes the simple morality tale for something more complex and satisfying. The novel begins as the otherwise involved Gina first sees the love of her life, the also-spoken-for Seán. Detailing the standard stuff of clandestine affairs—tawdry hotels, wife-stalking—Enright does not hide the ugliness of betrayal. But her real story is about the once illicit lovers' fraught attempt to live as a family—one that includes Seán's alarmingly strange preadolescent daughter, Evie. Casting aside cultural bromides about the immorality of affairs, Enright puts us squarely in the center of a terrible truth: Love can be miraculous—and still destroy everything in its path."
Original posting.
Picture: At her home near Bray, Ireland (from the New York Times)