Speaking of apocalypse, Junot Diaz, who is fond of apocalyptic sci-fi, might be interested in Friday's movie, Avalon, which was selected for our "The Future of Film" series by major film critic J. Hoberman. The series highlights what is happening to film in the 21st century. This computer-generated film in particular illustrates the rise of films that "no longer have need of an actual world, let alone a camera."
AVALON
October 5 (Friday)Film screening — 7:30 p.m.,
Page Hall, 135 Western Avenue, Downtown Campus
Directed by Mamoru
Oshii
(Japan and Poland, 2001, 107 minutes, color and b/w)
In Polish with
English subtitles
Japan’s Mamoru Oshii pioneered the concept of a
computer-generated world on film with his 1995 anime feature, GHOST IN THE
SHELL, a major inspiration for 1999’s THE MATRIX. With AVALON, Oshii creates
what Hoberman calls, “a new sort of cyborg entity, namely a digital-photographic
fusion.” Made with a Polish cast and a Japanese crew, the film employs digital
versions of vintage, sepia-tone photographs to create a battle simulation game
set in Eastern Europe in the mid-20th century.