"In the stories we tell ourselves in the West, we expect to be the central character in our own narrative; we are a society of individuals and no matter how much we love others, they're secondary characters. The DPRK is exactly the opposite. There's one national narrative, tailored and maintained by script writers and censors. In a totalitarian world that script writer is responsible for everything that happened."
"If you're a secondary character in North Korea, your aptitude for certain things and your class background sends you down paths, maybe to be a doctor, or a peasant farmer, or a soldier, or a music player. Your own wants and desires are only going to get in the way of the role you've been given and that you have to play if you're going to survive."
Isaac Stone Fish interviews Adam Johnson in the journal Foreign Policy.
Johnson visits Tuesday, Feb. 14th.
Monday, February 13, 2012
Can North Korea Be Fictionalized?
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